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Double Spouted Askos, 3rd century BCE (84.17)![]() Double Spouted Askos Italy, South Italian, Daunian 3rd Century BCE Pottery (84.17) Director's Comments It is unusual, however, in depicting both a trinacria, or triskele, and a naiskos, or small funerary monument. The triskele form is a widely-used symbol in antiquity, and later came to be particularly associated with Sicily, which still uses the triskele with a Gorgon's head as its symbol. The Museum exhibits a metal shield boss in the form of a triskele in the Weinberg Gallery (77.7); as far as I'm aware it's the only actual such triskele boss known. Such bosses are known from depictions, however, and a particularly fine example is known from the late 6th century BCE (London B323). The naiskos on the vessel contains the bust of woman, with added white and traces of red in both the bust and the pediment. In my mind's eye I draw a parallel between this naiskos and that framing Dido in David Ligare's painting Dido in Resolve (1989, MAA 89.6) hanging in the Museum's stair landing, although there's nothing else to link the two. Askoi may have had multiple functions, ranging from pouring wine or oil to pouring libations for the dead. |
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late 6th century BCE triskele boss (London B323) |
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![]() David Ligare (American, 1945- ) Dido in Resolve 1989 (89.6) |
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